Asian American and Pacific Islander Heritage Month Reading List: Nonfiction

A primer on racism that offers an intersectional, anti-racist, coalition-building view of Asian American identity.

Wen Liu examines contemporary Asian American identity formation while placing it within a historical and ongoing narrative of racial injury.

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In Chains of Babylon, Daryl J. Maeda presents a cultural history of Asian American activism in the late 1960s and early 1970s, showing how the movement created the category of "Asian American" to join Asians of many ethnicities in racial solidarity. Drawing on the Black Power and antiwar movements, Asian American radicals argued that all Asians in the United States should resist assimilation and band together to oppose racism within the country and imperialism abroad.

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A mother and race scholar seeks to answer her daughter's many questions about race and racism with an earnest exploration into race relations and affirmative action from the perspectives of Asian Americans.

In Making the Human: Race, Allegory, and Asian Americans, Corinne Mitsuye Sugino offers the lens of racial allegory to consider how media, institutional, and cultural narratives mobilize difference to normalize a white, Western conception of the human.

Oral histories, research, and essays by Anthony Ajluni, Christian Beswick, Lia Bommarito, Sam Brown, Korine Brady, Natalie Eighmey, Keith Felpausch, Justin Fernando, Marlie Fraser, Laura Graham, Annie Hamaty, Peter Hanna, Kaiysha Johnson, Saga Kinning, Peyton Klochack, Sujin Lee, Riane Molloy, Hiroki Naito, Hope O'Dell, Alisha Phan, Carlos Rivera-Galvan, Caitlin Santer, Samuel Schrodt, Parker Selders, David Tran, Sydney Wagoner, Chloe Weigel, Linda Wu, [and] Renna Yang.

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A Time to Rise is an intimate look into the workings of the KDP, the only revolutionary organization that emerged in the Filipino American community during the politically turbulent 1970s and '80s. Overcoming cultural and class differences, members of the KDP banded together in a single national organization to mobilize their community into civil rights and antiwar movements in the United States and in the fight for democracy and national liberation in the Philippines and elsewhere.

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A dual biography of unruly activism that spans national and racial boundaries Demanding liberation, advocating for the oppressed, and organizing for justice, siblings Mitsuye Yamada (1923?) and Michael Yasutake (1920?-2001) rebelled against respectability and assimilation, charting their own paths for what it means to be Nisei.

Island X delves into the compelling political lives of Taiwanese migrants who came to the United States as students from the 1960s through the 1980s. Often depicted as compliant model minorities, many were in fact deeply political, shaped by Taiwan's colonial history and influenced by the global social movements of their times. As activists, they fought to make Taiwanese people visible as subjects of injustice and deserving of self-determination.

Explores Asian Americans' diverse connections and interactions with the natural world.

Based on more than 200 hours of original oral history interviews conducted with Coachella Valley residents who participated in the UFW and Chicana/o movements, as well as previously unused oral history collections of Filipino farm workers, bracero workers, and UFW volunteers throughout the United States, this stirring history spans from the 1960s and 1970s through the union's decline in the early 1980s.

Na Wahine Koa: Hawaiian Women for Sovereignty and Demilitarization documents the political lives of four wahine koa (courageous women): Moanike'ala Akaka, Maxine Kahaulelio, Terrilee Keko'olani-Raymond, and Loretta Ritte, who are leaders in Hawaiian movements of aloha 'aina. They narrate the ways they came into activism and talk about what enabled them to sustain their involvement for more than four decades.

Dalit American activist Thenmozhi Soundararajan puts forth a call to awaken and act, not just for readers in South Asia, but all around the world. She ties Dalit oppression to fights for liberation among Black, Indigenous, Latinx, femme, and Queer communities, examining caste from a feminist, abolitionist, and Dalit Buddhist perspective--and laying bare the grief, trauma, rage, and stolen futures enacted by Brahminical social structures on the caste-oppressed.

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Writing against Racial Injury recalls the story of Asian American student rhetoric at the site of language and literacy education in post-1960s California. What emerged in the Asian American movement was a recurrent theme in U.S. history: conflicts over language and literacy difference masked wider racial tensions.

(shelved in the Health & Wellness Collection, first floor)
An essential resource that addresses the unique experiences of trauma, healing, and mental health in Asian and Asian American communities.

Women are significantly underrepresented in politics in the Pacific Islands, given that only one in twenty Pacific parliamentarians are female, compared to one in five globally. A common, but controversial, method of increasing the number of women in politics is the use of gender quotas, or measures designed to ensure a minimum level of women's representation. In those cases where quotas have been effective, they have managed to change the face of power in previously male-dominated political spheres.

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Asian American Feminisms and Women of Color Politics brings together groundbreaking essays that speak to the relationship between Asian American feminisms, feminist of color work, and transnational feminist scholarship.

Providing a new mosaic-style view of Manzanar's complex history through unedited interviews and published scholarship, Arthur A. Hansen presents a deep, longitudinal portrait of the politics and social formation of the Japanese American community before, during, and after World War II.   To begin, Hansen presents two essays, the first centering on his work with Ronald Larson in the mid-1970s on the history of Doho, a Japanese and English dual-language newspaper, and the second an article with David Hacker on revisionist ethnic perspectives of the Manzanar "riot." A second section is composed of five oral history interviews of selected camp personalities--a female Nisei journalist, a male Nisei historical documentarian,  a male Kibei Communist block manager, the Caucasian wife and comrade of the block manager, and the male Kibei who was the central figure in the Manzanar Riot/Revolt--that offer powerful insight into the controversial content of the two essays that precede them.   Manzanar can be understood only by being considered within the much wider context of Japanese American community formation and contestation before, during, and after World War II. A varied collection of scholarly articles and interviews, Manzanar Mosaic engages diverse voices and considers multiple perspectives to illuminate aspects of the Japanese American community, the ethnic press, the Manzanar concentration camp, and the movement for redress and reparations.

In the contemporary Western imagination, Asian people are frequently described as automatons, which disavows their humanity. In Model Machines, Long Bui investigates what he calls Asian roboticism or the ways Asians embody the machine and are given robotic characteristics.  Bui offers the first historical overview of the overlapping racialization of Asians and Asian Americans through their conflation with the robot-machine nexus. He puts forth the concept of the "model machine myth," which holds specific queries about personhood, citizenship, labor, and rights in the transnational making of Asian/America.  The case studies in Model Machines chart the representation of Chinese laborers, Japanese soldiers, Asian sex workers, and other examples to show how Asians are reimagined to be model machines as a product of globalization, racism, and colonialism. Moreover, it offers examples of how artists and everyday people resisted that stereotype to consider different ways of being human. Starting from the early nineteenth century, the book ends in the present with the new millennium, where the resurgence of China presages the "rise of the machines" and all the doomsday scenarios this might spell for global humanity at large.

In the late nineteenth century, increasing traffic of transpacific plants, insects, and peoples raised fears of a "biological yellow peril" when nursery stock and other agricultural products shipped from Japan to meet the growing demand for exotics in the United States. Over the next fifty years, these crossings transformed conceptions of race and migration, played a central role in the establishment of the US empire and its government agencies, and shaped the fields of horticulture, invasion biology, entomology, and plant pathology. In Biotic Borders, Jeannie N. Shinozuka uncovers the emergence of biological nativism that fueled American imperialism and spurred anti-Asian racism that remains with us today. Shinozuka provides an eye-opening look at biotic exchanges that not only altered the lives of Japanese in America but transformed American society more broadly. She shows how the modern fixation on panic about foreign species created a linguistic and conceptual arsenal for anti-immigration movements that flourished in the early twentieth century. Xenophobia inspired concerns about biodiversity, prompting new categories of "native" and "invasive" species that defined groups as bio-invasions to be regulated--or annihilated. By highlighting these connections, Shinozuka shows us that this story cannot be told about humans alone--the plants and animals that crossed with them were central to Japanese American and Asian American history. The rise of economic entomology and plant pathology in concert with public health and anti-immigration movements demonstrate these entangled histories of xenophobia, racism, and species invasions.

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The first Korean adoptees were powerful symbols of American superiority in the Cold War; as Korean adoption continued, adoptees' visibility as Asians faded as they became a geopolitical success story--all-American children in loving white families. In Invisible Asians, Kim Park Nelson analyzes the processes by which Korean American adoptees' have been rendered racially invisible, and how that invisibility facilitates their treatment as exceptional subjects within the context of American race relations and in government policies.

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South Asian American men are not usually depicted as ideal American men. They struggle against popular representations as either threatening terrorists or geeky, effeminate computer geniuses. To combat such stereotypes, some use sports as a means of performing a distinctly American masculinity. Desi Hoop Dreams focuses on South Asian-only basketball leagues common in most major U.S. and Canadian cities, to show that basketball, for these South Asian American players is not simply a whimsical hobby, but a means to navigate and express their identities in 21st century America.

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In the second half of the nineteenth century, global labor migration, trade, and overseas study brought China and the United States into close contact, leading to new cross-cultural encounters that brought mixed-race families into being. Yet the stories of these families remain largely unknown. How did interracial families negotiate their identities within these societies when mixed-race marriage was taboo and "Eurasian" often a derisive term?

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In Empire's Mistress Vernadette Vicuña Gonzalez follows the life of Filipina vaudeville and film actress Isabel Rosario Cooper, who was the mistress of General Douglas MacArthur. If mentioned at all, their relationship exists only as a salacious footnote in MacArthur's biography--a failed love affair between a venerated war hero and a young woman of Filipino and American heritage. Following Cooper from the Philippines to Washington, D.C. to Hollywood, where she died penniless, Gonzalez frames her not as a tragic heroine, but as someone caught within the violent histories of U.S. imperialism.

Tradition holds that when you come across a body of fresh water in a secluded area and everything is eerily still, the plants are yellowed, and the water covered with a greenish-yellow froth, you have stumbled across the home of a mo'o. Leave quickly lest the mo'o make itself known to you! Revered and reviled, reptiles have slithered, glided, crawled, and climbed their way through the human imagination and into prominent places in many cultures and belief systems around the world. Ka Po'e Mo'o Akua: Hawaiian Reptilian Water Deities explores the fearsome and fascinating creatures known as mo'o that embody the life-giving and death-dealing properties of water.

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In a century of mass atrocities, the Khmer Rouge regime marked Cambodia with one of the most extreme genocidal instances in human history. What emerged in the aftermath of the regime's collapse in 1979 was a nation fractured by death and dispersal. It is estimated that nearly one-fourth of the country's population perished from hard labor, disease, starvation, and executions. Another half million Cambodians fled their ancestral homeland, with over one hundred thousand finding refuge in America. From the Land of Shadows surveys the Cambodian diaspora and the struggle to understand and make meaning of this historical trauma.

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Few studies have highlighted the stories of middle-class children of immigrants who move to their ancestral homelands--countries with which they share cultural ties but haven't necessarily had direct contact. Chasing the American Dream in China addresses this gap by examining the lives of highly educated American-born Chinese (ABC) professionals who "return" to the People's Republic of China to build their careers.

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Examines the significance of sports in the lives of diasporic Filipino Americans.

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South Asian American men are not usually depicted as ideal American men. They struggle against popular representations as either threatening terrorists or geeky, effeminate computer geniuses. To combat such stereotypes, some use sports as a means of performing a distinctly American masculinity. Desi Hoop Dreams focuses on South Asian-only basketball leagues common in most major U.S. and Canadian cities, to show that basketball, for these South Asian American players is not simply a whimsical hobby, but a means to navigate and express their identities in 21st century America.

Dalit American activist Thenmozhi Soundararajan puts forth a call to awaken and act, not just for readers in South Asia, but all around the world. She ties Dalit oppression to fights for liberation among Black, Indigenous, Latinx, femme, and Queer communities, examining caste from a feminist, abolitionist, and Dalit Buddhist perspective--and laying bare the grief, trauma, rage, and stolen futures enacted by Brahminical social structures on the caste-oppressed.

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The American Dream of success for many Asian Americans includes the highest levels of education. But what does it mean to live that success? In Straight A's Asian American students at Harvard reflect on their common experiences with discrimination, immigrant communities, their relationships to their Asian heritage, and their place in the university.

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Between 2000 and 2015 the Asian American Pacific Islander population grew from nearly 12 million to over 20 million--at 72% percent recording the fastest growth rate of any major ethnic and racial group in the US. This book, the first to focus wholly on Asian American and Native American Pacific Islander Institutions (AANAPISIs) and their students, offers a corrective to misconceptions about these populations and documents student services and leadership programs, innovative pedagogies, models of community engagement, and collaborations across academic and student affairs that have transformed student outcomes.

During Hawai'i's territorial period (1900-1959), Native Hawaiians resisted assimilation by refusing to replace Native culture, identity, and history with those of the United States. By actively participating in U.S. public schools, Hawaiians resisted the suppression of their language and culture, subjection to a foreign curriculum, and denial of their cultural heritage and history, which was critical for Hawai'i's political evolution within the manifest destiny of the United States.

This book offers a vibrant array of contemporary Asian North American LGBT scholarship and cultural productions from essays, poetry, visual art, and memoirs of activists and scholars.

V. Jo Hsu explores three archives of trans and queer Asian American (QTAPI) rhetorics, considering a range of texts including oral histories, photography, personal essays, and performance showcases.

This edited volume is an exploration of the ways in which non-normative gendering and sexuality in one such region, the Pacific Islands, are implicated in a wide range of socio-cultural dynamics that are at once local and global, historical, and contemporary.

Celebrating the pop culture phenomenon that redefined what it meant to be Asian-American with tributes from Margaret Cho, Randall Park, Jia Tolentino, and more.

In her insightful study, Fashioning Diaspora, Vanita Reddy carefully maps how transnational itineraries of Indian beauty and fashion shaped South Asian American cultural identities and racialized belonging from the 1990s through the first decade of the twenty-first century.

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An obscured vanguard in hip hop, Filipino Americans have been innovators and collaborators in hip hop since the culture's early days.

The Hashidate-Yu, a Japanese-style public bathhouse, or sento, gave Japanese immigrants and their families a chance to relax and socialize at the corner of Sixth and South Main Streets in Seattle, the heart of the area known as Nihonmachi, or Japantown. There used to be hundreds of bathhouses in Japanese American communities across the United States, but the Hashidate-Yu, carefully preserved in recent years, is one of only two of these historic sento that have survived.

Chamber music score

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This dynamic collection explores the life, work, and persona of saxophonist Fred Ho, an unabashedly revolutionary artist whose illuminating and daring work redefines the relationship between art and politics. Scholars, artists, and friends give their unique takes on Ho's career, articulating his artistic contributions, their joint projects, and personal stories.

Desi Rap is a collection of essays from South Asian American activists, academics, and hip-hop artists that explores four main ideas: hip-hop as a means of expression of racial identity, class status, gender, sexuality, racism, and culture; the appropriation of Black racial identity by South Asian American consumers of hip-hop; the furthering of the discourse on race and ethnic identity in the United States through hip-hop; and the exploration of South Asian Americans' use of hip-hop as a form of social protest.

Hip Hop Desis explores the aesthetics and politics of South Asian American (desi) hip hop artists. Nitasha Tamar Sharma argues that through their lives and lyrics, young "hip hop desis" express a global race consciousness that reflects both their sense of connection with Blacks as racialized minorities in the United States and their diasporic sensibility as part of a global community of South Asians.

This beautifully illustrated volume, companion book to the exhibition of the same name, presents the first comprehensive survey of work produced by artists of Asian descent in America during the first seven decades of the twentieth century.

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Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals.

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War Baby / Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with nineteen emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai'i.

This unprecedented exhibition reintroduces three trailblazing Japanese American artists of the pre-World War II generations.

A comprehensive survey of Abad's visually dazzling and politically prescient works blending fabric and painting.

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During the early part of the Cold War, Japan emerged as a model ally, and Japanese Americans were seen as a model minority. From Confinement to Containment examines the work of four Japanese and Japanese/American artists and writers during this period: the novelist Hanama Tasaki, the actor Yamaguchi Yoshiko, the painter Henry Sugimoto, and the children's author Yoshiko Uchida.

This volume examines how Indigenous theatre and performance from Oceania has responded to the intensification of globalisation in the 20th and 21st centuries, employing vivid case histories.

The Asian American Avant-Garde is the first book-length study that conceptualizes a long-neglected canon of early Asian American literature and art. Audrey Wu Clark traces a genealogy of counter-universalism in short fiction, poetry, novels, and art produced by writers and artists of Asian descent who were responding to their contemporary period of Asian exclusion in the United States, between the years 1882 and 1945.

An-My Lê: Between Two Rivers is the most comprehensive account of the artist's career to date, encompassing three decades of her work across photographs, embroideries, videos, and installations. Through her photographs, videos, installations, and embroidered works, An-My Lê considers cycles of global history and conflict, and the consequences of diaspora, politics, and the sensationalizing of warfare.

Chinatown Pretty features beautiful portraits and heartwarming stories of trend-setting seniors across six Chinatowns.

In Of Love and War Angela Wanhalla details the intimate relationships forged during wartime between women and U.S. servicemen stationed in the South Pacific, traces the fate of wartime marriages, and addresses consequences for the women and children left behind.

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In a century of mass atrocities, the Khmer Rouge regime marked Cambodia with one of the most extreme genocidal instances in human history. What emerged in the aftermath of the regime's collapse in 1979 was a nation fractured by death and dispersal. It is estimated that nearly one-fourth of the country's population perished from hard labor, disease, starvation, and executions. Another half million Cambodians fled their ancestral homeland, with over one hundred thousand finding refuge in America. From the Land of Shadows surveys the Cambodian diaspora and the struggle to understand and make meaning of this historical trauma.

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Dorothy Fujita-Rony's The Memorykeepers: Gendered Knowledges, Empires, and Indonesian American History examines the importance of women's memorykeeping for two Toba Batak women whose twentieth-century histories span Indonesia and the United States, H.L.Tobing and Minar T. Rony.

The second generation of Pacific historians, who began their careers in the 1970s and 1980s, is gradually fading from the academic scene. They have made fundamental contributions to the field of Pacific history, enduring in their impact, and the identity of the discipline is now firmly established. This volume is not so much about their individual research but, rather, their improbable journeys into Pacific history--why and how they came to it in the first place.

The 1898 annexation of Hawaii to the US is often framed as an inevitable step in American expansion--but it was never a foregone conclusion. By pairing the intimate and epic together in critical juxtaposition, Christen T. Sasaki reveals the unstable nature not just of the coup state but of the US empire itself. The attempt to create a US-backed white settler state in Hawaii sparked a turn-of-the-century debate about race-based nationalism and state-based sovereignty and jurisdiction that was contested on the global stage.

In Tip of the Spear, Alfred Peredo Flores argues that the US occupation of the island of Guåhan (Guam), one of the most heavily militarized islands in the western Pacific Ocean, was enabled by a process of settler militarism.

Ronald Takaki's "brilliant revisionist history of America" (Publishers Weekly) is a landmark work of American history retells American history from the bottom up, through the lives of many minorities--Native Americans, African Americans, Jewish Americans, Irish Americans, Asian Americans, Latino Americans, and others--who helped create this country's mighty economy and rich mosaic culture.

Presents the history of the Chinese American experience, from the role of Chinese tea in the American Revolution and the rich commercial and cultural interactions between China and the U.S., to an exploration of the practices and principles developed under Chinese Exclusion and their application to other cultural groups.

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In the second half of the nineteenth century, global labor migration, trade, and overseas study brought China and the United States into close contact, leading to new cross-cultural encounters that brought mixed-race families into being. Yet the stories of these families remain largely unknown. How did interracial families negotiate their identities within these societies when mixed-race marriage was taboo and "Eurasian" often a derisive term?

After the Spanish-American War in 1898, many Filipinos immigrated to New York City, mostly as students, enrolling at local institutions like Columbia University and New York University. Some arrived via Ellis Island as early as 1915, while Filipino military servicemen and Navy seafarers settled in New York after both World Wars I and II. After the Asian Immigration Act of 1965, many Filipinos came as professionals (e.g., nurses, physicians, and engineers) and formed settlements in various ethnic enclaves throughout the five boroughs of New York. Over the years, Filipinos have contributed significantly to New York arts and culture through Broadway theater, fashion, music, film, comedy, hip-hop, poetry, and dance. Filipino New Yorkers have also been successful entrepreneurs, corporate executives, community leaders, and politicians, and some, sadly, were victims of the 9/11 World Trade Center attacks.

Presents the immigrant experiences of Filipina women pioneers who arrived in the United States after 1955 and went on to contribute to the communities that now comprise South Hampton Roads, Virginia.

Images of Japanese and Japanese American women can teach us what it meant to be visible at specific moments in history. Elena Tajima Creef employs an Asian American feminist vantage point to examine ways of looking at indigenous Japanese Ainu women taking part in the 1904 Louisiana Purchase Exposition; Japanese immigrant picture brides of the early twentieth century; interned Nisei women in World War II camps; and Japanese war brides who immigrated to the United States in the 1950s.

Distant Islands is a modern narrative history of the Japanese American community in New York City between America's centennial year and the Great Depression of the 1930s.

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From a title-winning boxer in Louisiana to a Broadway baritone in New York, Japanese Americans have long belied their popular representation as "quiet Americans." Showcasing the lives and achievements of relatively unknown but remarkable people in Nikkei history, scholar and journalist Greg Robinson reveals the diverse experiences of Japanese Americans and explores a wealth of themes, including mixed-race families, artistic pioneers, mass confinement, civil rights activism, and queer history.

Although Pacific history, society, and culture have been the subjects of much scholarly research and writing, the lives of Pacific Islanders in the diaspora (particularly in the U.S.) have received far less attention. The contributors to this volume of articles and essays compiled by the Pacific Islander Americans Research Project hope to rectify this oversight.

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What if we saw indigenous people as the active agents of global exploration rather than as the passive objects of that exploration? What if, instead of conceiving of global exploration as an enterprise just of European men such as Columbus or Cook or Magellan, we thought of it as an enterprise of the people they "discovered"? What could such a new perspective reveal about geographical understanding and its place in struggles over power in the context of colonialism?

A uniquely collaborative analysis of human adaptation to the Polynesian islands, told through oral histories, biophysical evidence, and historical records.

This volume analyzes the ways that Indigenous and non-Indigenous naturalists have made island natures visible to a wider audience, their relationship with the communities where they work, as well as the unique natures that they explore and help make.

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The completion of the transcontinental railroad in May 1869 is usually told as a story of national triumph and a key moment for American Manifest Destiny. The Railroad made it possible to cross the country in a matter of days instead of months, paved the way for new settlers to come out west, and helped speed America's entry onto the world stage as a modern nation that spanned a full continent. It also created vast wealth for its four owners, including the fortune with which Leland Stanford would found Stanford University some two decades later. But while the Transcontinental has often been celebrated in national memory, little attention has been paid to the Chinese workers who made up 90 percent of the workforce on the Western portion of the line. The Railroad could not have been built without Chinese labor, but the lives of Chinese railroad workers themselves have been little understood and largely invisible.

An "all-white town" by design for much of the twentieth century, Springdale, having nearly quadrupled in population since 1980, has been remade by Marshallese as well as Latinx immigration. Through ethnographic, policy-based, and archival research in Guåhan, Saipan, Hawai'i, Arkansas, and Washington, D.C., New Destinations of Empire tells the story of these place-based transformations, revealing how U.S. empire both causes and constrains mobility for its subjects, shaping migrants' experiences of racialization, citizenship, and belonging in new destinations of empire.

During Hawai'i's territorial period (1900-1959), Native Hawaiians resisted assimilation by refusing to replace Native culture, identity, and history with those of the United States. By actively participating in U.S. public schools, Hawaiians resisted the suppression of their language and culture, subjection to a foreign curriculum, and denial of their cultural heritage and history, which was critical for Hawai'i's political evolution within the manifest destiny of the United States.

In the early twentieth century, most Chinese immigrants coming to the United States were detained at the Angel Island Immigration Station in San Francisco Bay. There, they were subject to physical exams, interrogations, and often long detentions aimed at upholding the exclusion laws that kept Chinese out of the country. Many detainees recorded their anger and frustrations, hopes and despair in poetry written and carved on the barrack walls. Island tells these immigrants' stories while underscoring their relevance to contemporary immigration issues.

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In Empire's Mistress Vernadette Vicuña Gonzalez follows the life of Filipina vaudeville and film actress Isabel Rosario Cooper, who was the mistress of General Douglas MacArthur. If mentioned at all, their relationship exists only as a salacious footnote in MacArthur's biography--a failed love affair between a venerated war hero and a young woman of Filipino and American heritage. Following Cooper from the Philippines to Washington, D.C. to Hollywood, where she died penniless, Gonzalez frames her not as a tragic heroine, but as someone caught within the violent histories of U.S. imperialism.

Chinese Yankee by Ruthanne Lum McCunn tells the true story of Hong Kong born Thomas Sylvanus (Ah Yee Way), an orphan brought to America for schooling in the mid-1850s, but enslaved in Baltimore. Only sixteen at the outbreak of war, Thomas ran north, joined the Freedom Army, and was blinded in the first major campaign.

A collection of over 200 breathtaking photos celebrating the history and cultural impact of the Asian American social justice movement, from a beloved photographer who sought to change the world, one photograph at a time.