MUS 892: Music of Africa

African Music is devoted to ethnographic, anthropological, musicological, and popular studies of sub-Saharan African music from the 1890s to the present. The bibliography is organized into six basic sections. Section one covers works on cultural policy and the performing arts in sub-Saharan Africa, while section two provides a selected guide to works on ethnomusicology. Section three, the largest, deals with general works and regional/country studies of traditional sub-Saharan musics, defined most simply as the local village or rural musics of West, Central, Southern, and East Africa. General and regional/country studies of African pop music as well as biographical and critical studies of 275 popular musicians and groups are covered in section four. Section five focuses on the acculturated or art music traditions of Africa's Westernized elite, citing both general works and biographical/critical studies on African composers and performers. The sixth, and final, music section covers general studies on African church, or liturgical music. The items cited in these six sections range from books, dissertations, unpublished papers, and periodical and newspaper articles, to films, videotapes, and audiotapes in all of the major Western languages as well as several African ones. The three appendixes deal, respectively, with reference works on African music and culture; archives and research centers; and a selected discography listing both traditional and popular music recordings and outlets where they may be found. Four indexes--ethnic group, subject, artist and author--complete the work and provide a key to its 5,800 entries. By covering works from 1732 to the present, African Music offers not only the most up-to-date scholarship on the subject, but also the most comprehensive coverage currently available. It offers a much-needed, and long overdue resource for students, scholars, and librarians seeking to understand the musics of sub-Saharan Africa.

"The stimulus this handsomely produced volume will provide to research and teaching may well surpass that offered by Dr. Southern's earlier studies. This major accomplishment belongs in the libraries of all individuals and institutions interested in any aspect of American music." Ethnomusiciology

Available online. Abridged edition of Africa, volume 1 of The Garland encyclopedia of world music, with the addition of a new article, 'Exploring African Music' as well as articles by Alex Perullo, Gregory Barz and Judah Cohen, Daniel B. Reed, Jeffrey A. Summit, Jane Goodman, and Clara Henderson. Reed article is adapted from previous publication by Indiana University Press"--T.P. verso

The Rough Guide to World Music Vol.1, 3rd edition- Africa, Europe and the Middle Easthas full coverage of everything from Congolese soukous to Greek rembetika, and biographies of artists from Thomas Mapfumo to Cheb Khaled to the Afro Celt Sound System. Features include- More than 80 articles from expert contributors, focusing on the popular and roots music. Extensive discographies for each country, with biography-notes on nearly 2000 musicians and reviews of their best CDs. Photos and album cover illustrations gathered from contemporary and archive sources. The guide includes a directory of World Music labels and specialist stores around the world and on the Internet.

Throughout human history, music has accompanied us in times of joy and in times of sorrow. This comprehensive encyclopedia is not only a reference work on musical instruments suitable for experts; it also explains the effects and expressive powers of the musical arts. The authors present the various methods of producing sound with great passion, vividly explaining how early musical inventions were scattered across the globe and how they evolved in various cultures. Clearly arranged, the structure of the book provides a quick overview of the history, symbolism, construction and playing technique of each of the instruments discussed. The World Atlas of Musical Instruments is an indispensable reference work for every professional musician and for interested amateurs.